grabs my attention
quick to hold fascination
locked in, samsara
grabs my attention
quick to hold fascination
locked in, samsara
Step back
Take a breath
Open your heart
Put down your phone
she was looking for love
in all the wrong places
lighting a cigarette
outside the empty bar
buys her own drinks
what’s she waiting for?
Enlightenment?
she trots off into the night,
dragging her smoke-ring-halo
absent lamp light, fog rimmed
starlit trails
observed by her full moon gaze –
but does she exist without witness?
she was looking for love
eyes wide shut
snaked-eyed-luck
coffee breath and memories
of last year’s shitty fuck
did I cum?
skating down an icy street
pleasantly, legally high
wishing to die
she escapes on by
narrowly avoiding being struck
ignores the honks
oversized jacket, wonky look
she reaches inside for her last dart
it falls from shakey fingers, on ice, wet, breaking
and if that isn’t the straw
as she falls to her knees
and pleads with the dream,
— her own mind of course —
please release me
wake up
wake up
If I cannot have pleasure
free from all pain
while enjoying samsara’s treasure
I must be addicted to pleasure
and addicted to suffering
in absolute equal measure
I am wretched
spastic in time
visions zoom and swoop
I am not alleviated of guilt
I am a burden of my own burdening
Knocked to the hard ground
concrete bloodied
pieces of knuckles, jaws
scattered about
detritus of a coming war
spastic in time
visions sink, exhaled
a finale, last breath
I am not alleviated of guilt
I will not profess my own burdening
Seamless lips, faulted
refusing to admit witness
slammed with responsibility
reaping, weeping, false confession
but a word, treason, is not spoken
and the clouds do not lift
visions sink, heavy, inhaled
as poison, saddled, trained
a whistle blows, heard for miles
you know it’s gone —
a train of burden
You ought to have seen this coming
hisses a Voice outta dark
whispers like old wheels
grinding to a halt on a rusted track
(obligation bearing back)
And if I did?
words evaporated, arisen from
a vibrating box,
moved by mind
And remain ignorantly attached?
But why!
— surprise in the Voice
silence
Addiction to the merry-go-round
of burden,
the colours, the depths of pain
the highs of lows
the energy, vibrating
words, vibrating
endowed with mind-meaning
and mind-made-up
The Voice can see what
lack of service lacks
and stops. shocked —
disappears, abandoning
Please! I laugh
Please! I laugh
and laugh
The real tragic flaw in Shakespeare’s tragic protagonists is that the characters are not privy (in the full ripening of dramatic irony) to the fact that they are but players, actors, and they need not take their roles seriously at all — maybe just change characters completely and shed the oncoming doom.
However, like us, the players remain asleep to this key, this unlocking of their full potential — limited by imagination alone. (Moreover, the roles themselves are adored, the carefully crafted egos, skilfully induced immortality in temporary personas.)
And so, they are led — usually by the rope of attachment — to their doom, typically destroying others along the way.
God, I love a good tragedy.
#OthelloFan #Macbeth
So many lessons. So many illustrations. Especially self-destruction through self-preservation.
Are we not the same?
I should sleep
but time is fleeting
so when visions creep
I bow in greeting
the storms have come
and the rain it pours
what little I get
leaves me wanting more
I thought I found freedom
but only suffering comes
I long to escape —
but the feeling goes on, and on
Music: “The Feeling” by Lost Frequencies
Video & Editing: K. Samways